Friday, May 15, 2020
The Character of Clay in Amiri Barakas The Dutchman...
The Character of Clay in Amiri Barakas The Dutchman Clay is not naive. He may be misguided, misled, and mistaken, but he is anything but naive. Clay is an individual who has shed the roots of his race, disregarding many of the cultural implications that such a decision could have on him. He is a misguided individual who, because he is human, does the wrong things at the wrong times for the wrong reasons. He continually struggles with his own identity and the power struggle between him and Lula. The notion of power dynamics in The Dutchman is brought forth in the character of Clay, who knows the limits of his power, takes the forbidden fruit from the more powerful Lula, and fantasizes about his own life. Lula is clearly inâ⬠¦show more contentâ⬠¦Staring at you? What do you mean? LULA. Dont you know what staring means? CLAY. I saw you through the window . . . if thats what it means. I dont know if I was staring. Seems to me you were staring through the window at me. LULA. I was. But only after Id turned around and saw you staring through that window down in the vicinity of my ass and legs. CLAY. Really? LULA. Really. I guess you were just taking those idle pot-shots. Nothing else to do. Run your mind over peoples flesh. CLAY. Oh boy. Wow, now I admit I was looking in your direction. But the rest of that weight is yours. (6-7) Clay is timid in the dialogue, and he is somewhat taken aback or even embarrassed in the fourth line, when he pauses. As one might expect, he is awkward and timid when approached by an individual with a higher social status. Part of this is due to exterior appearances--the fact that Lula is white intimidates him. He doesnt totally deny staring at Lula, which could mean either that he was not staring at her or simply that he did not want to admit it, fearful of the consequences. Like invisible mans grandfather would want in Ellisons book, Clay is rarely confrontational with Lula. In this instance, and in many others, he takes a more passive approach. In this case, Clay admits that he was looking in Lulas direction. Clay takes the middle road throughout much of the play. As Andrzej Ceynowa says in The Dramatic Structure of Dutchman, The most he dares in his activeShow MoreRelatedDutchman - Thematic Analysis Paper2165 Words à |à 9 PagesWilliams, Jae`da June 19, 2012 ENC 1102 Dutchman Thematic Analysis The phrase ââ¬Å"racial tensionâ⬠is a small description of the main theme in Dutchman by Amiri Baraka. While race is a vital part of the underlying messages in the play, it stems to a much broader term. In Dutchman Amiri Baraka attempts to grasp the attention of the African American society. Baraka uses Clayââ¬â¢s character to show readers that complete assimilation into another culture is wrong. He wants to awaken the African AmericanRead MoreReading Into Amiri Baraka s The Sixties : A Very Compare And Contrast Of Ideas Of Interpretations907 Words à |à 4 PagesChania Whitaker Article Review Fall 2015 AAA Literature 20 Reading into Amiri Barakaââ¬â¢s Dutchman in the context of how plays in the early 60s: A compare and contrast of ideas of interpretations. Reading Dutchman by Amiri Baraka was made a bit challenging because it was a play written exclusively for itââ¬â¢s commentary of race relations in America in the time period it was written in. While enjoying black art is important, itââ¬â¢s even more important to truly understand the message it is giving. AllegoryRead MoreEssay about Binaries and Identities in Amiri Barakas Dutchman1242 Words à |à 5 PagesIn Amiri Barakaââ¬â¢s Dutchman, the binary between black and white people embeds itself into the characters on the subway. Lula, who incorporates her image with control and deception through her white skin, represents one significant driving force. Clay, who faces manipulation from the oppressive white presence of Lula and the others on the train, has to step up and become an opposing force. Throughout these characters transformations from individuals to powers, they express a combination of double consciousnessRead MoreThe Interpretation Of Dutchman. Baraka1264 Words à |à 6 Pages Interpretation of Dutchman Baraka was born on October 7, 1934. He graduated from high school at the age of 15. Soon after, he attended Rutgers University, thanks to a science scholarship. Once a year went by, he transferred to Howard University and eventually received a B.A. in English in 1954. After college, he served in the Air Force for several years. Upon returning home, ââ¬Å"Baraka moved to Greenwich Village and plunged into a bohemian lifestyle that was influenced by the aesthetic protests ofRead MoreSymbolism And Ritual Approaches : Development Of Black Consciousness2512 Words à |à 11 Pagesbeautyâ⬠in his black consciousness theory. His idea shared same position with Amiri Baraka: a refusal of the white dominant cultural paradigm that categorized black as uncivilized or a savage group with white peopleââ¬â¢s prejudice. Baraka actively expressed his opinion in his play Dutchman. Biko urged black peopleââ¬â¢s arbitrary enlightenment of blackness, but Baraka revealed societyââ¬â¢s neg ative aspects in his play. In Dutchman, Amiri Baraka theatrically implied American societyââ¬â¢s absurdity and racism; the playRead More The Dutchman: A Dramatic Expression of the Relationship Between Whites and Blacks1134 Words à |à 5 PagesAmiri Barakaââ¬â¢s The Dutchman would be considered a historical allegory that could be understood as this poetic and dramatic expression of the relationship between whites and blacks throughout the existence of the United States. These patterns of history are symbolically acted out by the two characters Lula and Clay; Lula represents white America and Clay seems to stand for the modern day Uncle Tom, who has over time been shaped by white America and this slave mentality. The beginning StageRead MoreAmiri Baraka s 1964 Play, Dutchman1892 Words à |à 8 PagesAmiri Barakaââ¬â¢s 1964 play, Dutchman, is a prime example of a work that has an allegorical meaning of the race relationships between African Americans and Caucasians during its time period. A major theme of this course is studying stories as narratives, in terms of understanding cultural diversity. Although Dutchman is a play, and not a novel or short story, the interaction between Lula and Clay assists the audience in conceptualizing black oppression after World War II through the system of languageRead MoreEssay about Language in Amiri Barakas The Dutchman1926 Words à |à 8 PagesLanguage in Amiri Barakas The Dutchman The popular saying actions speak louder than words is upended in Amiri Barakas play, The Dutchman, where words, or in this case language, speaks louder than the actions of the characters, Lula and Clay. Language governs the characters and their actions, and is therefore a prominent feature in shaping the identities of Lula and Clay. In the play, Baraka conveys the significance of Lula and Clay being enabled to change their identities by a simple changeRead MoreThe Complicated Relationship Between The Black And White Americans1879 Words à |à 8 PagesThe Complicated Relationship between the Black and White Americans Amiri Barakaââ¬â¢s play the ââ¬Å"Dutchmanâ⬠is a portrayal about the interactions between the two major characters Lula and Clay. The two came from different races, whereas Clay is a twenty year old African American, while Lula on her thirties is a white woman. It all started when Lula had the courage to approach Clay, accusing the latter intent of staring from the window of a train. In their conversation, it demonstrates how Lula was tryingRead MoreRhetorical Analysis Of Amiri Baraka s Amiri For The First Time 1052 Words à |à 5 PagesReading through The Dutchman for the first time, I had the impression that it was just another story of a black man being oppressed by another white person in the mid 20th century. However, upon closer inspection, I have found that this play dives much deeper into a variety of different aspects. For example, if we are reading this play with the knowledge that this is written in a postmodern era, this gives us the freedom to explore which s ocial constructs are being torn down within the play itself
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